Posts from the Workbook Blog featuring

Benedetto Cristofani

Salzman International Creative Update

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Above: Michael DiMilo Writer  

Salzman International Creative Update.

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Poster art, editorial, GIFs and more from Salzman International’s talented group of artists from around the world. Above: Michael DiMilo Rainy Days and Mondays.

Salzman International Creative Update

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The award winning artists of Salzman International represent a stylistically diverse pool of talent committed to the visual expression of ideas. Joey Guidone  Internazionale Magazine Message From Marx

Salzmanart Creative Update

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Mark Smith Business Traveller magazine

Say it with Heart!

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Take heart! Have a heart. Know your heart, and get to the heart of the matter. The heart is an icon open to endless interpretation. Above: Jing Jing Tsong  

Creative Update: Salzman International

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The talented, award-winning artists of Salzman International are spread out across the globe. Jeff Hinchee  The Daily/This American Life  

Creative Update from Salzman International

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The illustrators and animators from Salzman International  bring their visual interpretations to a varied array of projects for clients worldwide. Above: Ivan Canu  L’Espresso Art Usage in Public  Museums.

The Latest from Salzman International

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The illustrators with the  international, award-winning Salzman International are scattered across Europe and are working for clients all over the world. They’ll be doing an Instagram takeover for us in early November, …

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The Salzman Group Update

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The talented illustrators of the Salzman Group haven’t slowed down.  They’ve been enlightening the stories of the day for publications such as the New York Times and Time Magazine,  and …

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An Update from the Salzman Group

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The illustrators of the Richard Salzman group have been working on assignments for clients around the world and exploring concepts and ideas of their own. They have created stunning and thoughtful …

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Happy Valentine’s Day!

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Here’s how some of our contributors interpret the day. Above: Gabrielle Revere

The Best of 2019: The Richard Salzman Group

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Illustrators from the Salzman Group Image above: Federico Gastaldi “This is one of my favorite illustrations of the year because I always wanted to work with the Wall Street Journal. …

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Workbook Illustrators Have It Covered

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Workbook artists are working for a varied international roster of publications. Time, Newsweek, the Economist, and the Guardian Weekly are just a few examples. Image above: Rocco Baviera, Deloitte

Trick or Treat!

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Above:  Iain Macarthur

Richard Salzman’s Artists Add Their Visuals to an Array of Issues

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The illustrators of Salzmanart have been working to visually interpret global conflict and its aftermath in Syria for the Economist and the Brexit meltdown in Britain for Internazionale. They have also taken on …

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The Award-Winning Salzman Group

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The award-winning Salzman Group has been working on editorial projects for the New York Times, the New Yorker, GQ, Barron’s, Hollywood Reporter, and more. Image above: Giulio Bonasera for GQ …

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July Editor’s Picks

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Here are the Editor’s Picks for July. Above: Lou Bopp

The Latest from Benedetto Cristofani

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Above: “Choices on the Continent,” the Economist Whether the story is growing economic inequality in the West or how China is investing in Africa, Benedetto Cristofani finds the essence of the story and illustrates …

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Benedetto Cristofani Illustrates for The Economist

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Benedetto Cristofani illustrates a series of pink and blue images for  a recent article in the the Economist that asks “Who decides your gender?  Campaigners say that only individuals can …

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effects of coal production on the environment

Latest Projects by Italian Illustrator Benedetto Cristofani

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Benedetto Cristofani has been working on assignments that range from the international election cycle and international business, to topics like the scientific basis for gender bias. Clients include Die Zeit, …

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The Latest from the Salzman Group

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As business conditions change we all adapt, and Richard Salzman knows this better than most. By the early 2000s, the rate and manner in which imagery was commissioned and consumed had changed …

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