Illustration Latest Additions From António Adriäo Artist Representative

Posted on

Christian Dellavedova decided to be an illustrator because it was the deepest call of his life. Translating a story in a single image was always, for him, the most exciting challenge.

He has taken special interest in editorial and conceptual illustration. Through the years, he has illustrated imagery for magazines and newspapers as well, helping worldwide agencies with some important advertising campaigns.

He has done work for a variety of worldwide clients such as Auchan, Viacom, GEICO, ENI, TBWA, The Boston Globe, Variety, Scientific American, Wired UK, Time Out, Reader’s Digest, Men’s Health, Men’s Journal, Time Inc., Ink Global, Strategy+Business, Canadian Business, Entrepreneur Magazine, Corriere della Sera, Repubblica, Mondadori, Gazzetta dello Sport, just to name a few.

He is a regular contributor to the Italian magazine, Internazionale, the most important political magazine in Italy.

Christian graduated from IED (Istituto Europeo di Design), where he now holds an illustration teaching position.

He is a teacher at Scuola Internazionale di Comics, and lives and works in Milano, Italy.

 

Claire Pound is a British illustrator and artist. She illustrated her first  children’s  book, 'The Witch’s Hat' after graduating in illustration from Camberwell College of Arts in London. Claire has illustrated many traditional tales and especially loves drawing children and animals. Originally working predominantly in traditional pencil and watercolor, Claire now finishes her pencil sketches digitally. Past clients include Harper Collins, Puffin, Oxford University Press, Tamarind, Ladybird Books, Laura Ashley,  Wild in Art and the 2012 Olympics.  

With 30 years of professional experience and Brighton-based, Geo Parkin has worked for a wide range of clients in the UK, US, Europe and Japan, in the fields of publishing, advertising, packaging, character creation, comics, t-shirt design and more. An early adapter to digital illustration, he still considers drawing to be the most important aspect of his work and he has stayed true to this approach as his style evolves. The crisp look of his recent work is just as attributable to early influences, such as Hergé and the European ‘Ligne claire’ artists, as it is to the vectorized precision of Adobe Illustrator.

Nathan Smith is a British artist and illustrator who has been working in the creative industries for nearly 30 years. He originally trained and worked as a Theatre Designer and Scenic Artist in London before moving into a long career in Fine Art and Illustration. His work still contains a theatrical flare; “quirky, visually intriguing, playful and informal” are just some of the terms that have been used to describe his style. Nathan’s creative process usually starts with a simple sketch, then progresses to a Wacom Cintiq tablet. He then sculpts in digital clay and composes his characters, which often have anthropomorphic qualities in digitally painted landscapes, using a combination of Zbrush, Keyshot, Photoshop and Corel Painter and often finishing in softer 3D render. His digital work has been published internationally.